Tittenhurst Park

This Tittenhurst Park blog is dedicated to John Lennon's home in Sunningdale, near Ascot, Berkshire between 1969 and 1971. The aim is to gather as much material relating to the estate as possible - obviously with the emphasis on the Lennon-era, but also concerning Tittenhurst Park as it was before and after John Lennon's ownership. In addition, there will be posts about and associated with the Beatles, plus any other rubbish I feel like. The blog is purely meant for the entertainment of anyone (assuming there is actually anyone) who, like me, has an unhealthy interest in one particular Georgian mansion. Those with anything interesting to contribute in the way of links, photos, scans, stories etc. please do contact me: tittenhurstlennon@gmail.com
(Legal: this blog is strictly non-commercial. All material is the property of the photographer/artist/copyright holder concerned. Any such who wishes a picture etc to be removed should contact me and I will do so. Alternatively, if someone is happy to see their photo on here, but would like a credit/link then let me know and I'll be happy to provide one).
Enjoy!


Thursday

Guests: Oz Magazine

John Lennon's guests at Tittenhurst Park:


Oz Magazine writers stayed at Tittenhurst Park in 1970, reacting to criticism that Oz had lost touch with youth, the editors put a notice in the magazine inviting "school kids" to edit an issue. The opportunity was taken up by around 20 secondary school students (including Charles Shaar Murray and Deyan Sudjic), who were let loose on Oz #28 (May 1970), known as "Schoolkid OZ". This term was widely misunderstood to mean that it was intended for school children, whereas it was a statement that it had been created by them.
One of the resulting articles was a highly sexualised Rupert Bear parody. It was created by 15-year-old schoolboy Vivian Berger by pasting the head of Rupert onto the lead character of an X-rated satirical cartoon by Robert Crumb. The majority of the contributors were from public schools (in the English sense of the term: elite non-state schools); as a result the humour was mostly an extension of the type of material familiar from undergraduate rag mags.
Oz was one of several 'underground' publications targeted by the Obscene Publications Squad, and their offices had already been raided on several occasions, but the conjunction of schoolchildren and what some viewed as "obscene" material set the scene for the infamous Oz obscenity trial of 1971. In some respects it was a copy of the Australian trial, with evidence and judicial instruction clearly aimed at securing a conviction, but the British trial was given a far more dangerous twist because the prosecution employed an archaic charge against Neville, Dennis and Anderson—"conspiracy to corrupt public morals"—which, in theory, carried a virtually unlimited penalty.

Oz number 33, back cover advertising "A Gala Benefit For The OZ Obscenity Trial"
The defence lawyer, John Mortimer QC announced at the opening of the trial in 1971 that “[the] case stands at the crossroads of our liberty, at the boundaries of our freedom to think and draw and write what we please” (The Times: 24 June 1971). For the defence, this specifically concerned the treatment of dissent and dissenters, about the control of ideas and suppressing the messages of social resistance communicated by OZ in issue #28. The charges read out in the central criminal court stated “[that the defendants] conspiring with certain other young persons to produce a magazine containing obscene, lewd, indecent and sexually perverted articles, cartoons and drawings with intent to debauch and corrupt the morals of children and other young persons and to arouse and implant in their minds lustful and perverted ideas”. According to Mr Brian Leary prosecuting "It dealt with homosexuality, lesbianism, sadism, perverted sexual practices and drug taking". Dennis and Anderson were defended by lawyer and playwright John Mortimer (creator of the Rumpole Of The Bailey series) with assistance from Australian lawyer Geoffrey Robertson, while Neville represented himself.
Richard Neville (Oz Magazine) being arrested.

The trial brought the magazine to the attention of the wider public. John Lennon and Yoko Ono let the Oz writers stay at Tittenhurst Park and joined the protest march against the prosecution and organised the recording of "God Save Us" by the ad hoc group Elastic Oz Band to raise funds and gain publicity. Lennon explained how the song title changed from "God Save Oz" to "God Save Us"

First of all we wrote it as ‘God Save Oz,’ you know, ‘God save Oz from it all,’ but then we decided they wouldn’t really know what we were talking about in America so we changed it back to “Us.”
"God Save Us" was first demoed by John Lennon, but the lead singer on the recording was Bill Elliot for contractual reasons. "God Save Us"/"Do The Oz" was released on The Beatles' Apple Records label. Lennon's original demo was issued in 1998 on the John Lennon Anthology and again on Wonsaponatime.
The trial was, at the time, the longest obscenity trial in British legal history. Defence witnesses included comedian Marty Feldman, artist and drugs activist Caroline Coon, DJ John Peel, musician and writer George Melly and academic Edward De Bono. At the conclusion of the trial the "Oz Three" were found not guilty on the conspiracy charge, but were convicted of two lesser offences and sentenced to imprisonment; although Dennis was given a lesser sentence because the judge, Justice Michael Argyle, considered that Dennis was "very much less intelligent" than Neville and Anderson. Shortly after the verdicts were handed down they were taken to prison and their heads shaved, an act which caused an even greater stir on top of the already considerable outcry surrounding the trial and verdict.
The most famous images of the trial come from the committal hearing, at which Neville, Dennis and Anderson all appeared wearing rented schoolgirl costumes. (picture above)

Oz Magazine Covers:









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